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The Loose Acoustic Trio

The Loose Acoustic Trio

These hokey folkies say their tunes "range from simply sublime to sublimely ridiculous." So which category does an accordion-soaked, twanged-out turn on the Who's "Pinball Wizard" fall into? Like the best acts of their sort, LAT underpin their wry humor with a serious and affecting sense of craft.

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Kaki King

Kaki King

King's latest graduates her to new levels of bedroom-folk loveliness, but never goes so diaristic that we lose interest. The real theme here is that of space: the crisp, wide-open guitars and floating vocals draw an intriguing contrast with the close quarters of King's subjects.
Joni Mitchell

Joni Mitchell

The legendary Mitchell isn't so much a singer-songwriter as a composer-poet, a reputation she makes good on in her rapturous new material. "Shine" follows the jazz texturing of her '70s classics, but is more reverie than avant-garde collage. Its bittersweet lyrics still feel down but not out.
Sean Hayes

Sean Hayes

On "Flowering Spade," the indie-folk man becomes required listening for anyone with the reasonable love/hate view of Will Oldham and his ilk. Call him anti-anti-folk: Hayes' stuff mixes some sepia coloring from '70s-era Laurel Canyon into the sweetly bent aesthetic of today's lo-fi.
Rosie Thomas

Rosie Thomas

With a little help from her friends (notably Sufjan Stevens), Rosie's touching new release reveals a more candid side. Though it was recorded on and off for two years, its New York City-dwelling originals and covers like "One I Love" blend together as if it were produced over one fruitful weekend.


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