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Burden Brothers

Burden Brothers

Playlist

Shine (3:29) Date added: 10/12/06 | Total listens: 2,020
Everybody is Easy (4:01) Date added: 10/12/06 | Total listens: 1,282

User reviews for Burden Brothers

Average rating3h starsOut of 9 votes

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Editor's review

The members and producers of this Texas outfit have worked with everyone from Reverend Horton Heat to Gnarls Barkley to Edie Brickell, so fears of the world's worst hybrid would be fair. Fear not--this is hard rock at its purest, laced with ripping riffage and Queen-like presence.

Biography

From the heart of Texas, the BURDEN BROTHERS are hard hitting rockers who have been making quite a racket since the release of their debut CD, Buried in Your Black Heart, in 2004. Formed by platinum-selling Toadies vocalist, Vaden Todd Lewis and acclaimed drummer Taz Bentley (Reverend Horton Heat, Izzy Stradlin), the band has shared the stage with the likes of Velvet Revolver, Papa Roach, and Finger 11. The Burden Brothers latest effort, Mercy, featuring the single, "Everybody is Easy (we sink / we swim)" will be in stores on Oct 31.

Mercy took a little over a year from pre-production to completion and it's immanent release. The band had just parted ways with their bassist and was in a kind of limbo when pre-production started. Bassist Justin Meldal-Johnson (Gnarls Barkely, Beck, Air, Ima Robot) was recruited for the LA recording sessions. "Besides his amazing musical ability, he fit in like we had known him for years" Lewis says. Zack Busby, joined as the band's permanent bassist after playing a few fill-in dates. He says, "at the time I was happy to just help out, get a chance to play with some really killer musicians that I respect. I was really blown away by the new material, it such a huge step forward for the band, artistically and conceptually. I was finally asked to join the band several months later on New Years' Eve 2005, right before we took the stage in Fort Worth."

Only a few of the songs on Mercy had been completely written and played live before recording started. When the band entered the studio the majority of the tracks were works in progress -- pieces of music with no lyrics. "By the end of the recording of Mercy we had grown as a band and had the luxury of taking time to let it become it's own animal. The results show it was worth the extra time and effort. " It was a great experience and a lesson in 'good things take time" says Rozzoni.

Grammy award winning producer Joe Chiccarelli (The Shins, U2, Beck, Hole) was tapped to produce the new album. "When I heard the Burden Brothers, I thought this was a band with immense potential. I was instantly stuck by Vaden's voice and the high energy of the band"

Chiccarelli produced tracks in Los Angeles and Dallas. A couple of months after Chiccarelli had finished the album's original tracks, the band wrote some new songs that everyone agreed needed to see the light of day. David Castell (Blue October, Edie Brickell) who they worked with on their previous album was brought in to helm the new tracks. In addition to producing the new songs, this also gave the band a chance to try some new ideas on the previous tracks and really open things up.

Mercy shows a band that has grown in depth and diversity, as well a band not afraid to take chances. Lewis says " My favorite records have always been the ones that took risks, that weren't afraid to try different approaches to a common theme. This is what we were going for with Mercy. We strove to cover a lot of ground between the loud and angry punch of "I am a Cancer" and the somber and wistful feel of "Life Between". This kind of reach may surprise a few of our fans, but I think this is an album that they can listen to for a long time." Rozzoni adds "I feel like I gave birth... to a 7 headed child with schizophrenia! It's like a good movie. It has it's nice, sweet part; it's deep, thought provoking part; it's dark, brooding part; it has the car chase. It's all there."

"The live show is the album times 10," says Rozzoni. Vaden agrees. "With the Burden Brothers we decided early on to emulate the kind of feel that got us interested in music in the first place. We wanted to make every show an event. In the Toadies I went to lengths to make the show as visually low-key as possible. I hated the idea of the "rockstar", when in reality I have always looked at rockstars as...um rockstars...in a good way." "Everyone in the band grew up on and loved the old bombastic rock shows (KISS, Led Zep, Queen, etc.), so we do our best to bring that kind of thing to the stage. I think that, coupled with that fact that we can actually play our instruments, is why the live show is so good. Once we get in our groove I feel like no one can touch us," adds Rozzoni.

"While this record may be much different than Buried, the purpose of the live shows hasn't changed one bit...we set out to bring it every night, everywhere, every time, no matter what. We want people to get their money's worth, to have a good time, so we strive for that. This band has some serious live experience under our belts, both collectively and individually, and it's what we grew up doing...it's what we live for" closes bassist, Busby.

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