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Don Caballero

Don Caballero

  • Avg user rating: 3h stars Out of 17 votes
  • Your rating:  Write your review
  • Similar Artists: Sonic Youth, Storm and Stress, the Cancer Conspiracy, Tarentel

Playlist

Our Caballero (2:09) Date added: 02/04/06 | Total listens: 1,617
Delivering the Groceries at 138 Beats per Minute (5:49) Date added: 02/04/06 | Total listens: 1,408
Repeat Defender (4:14) Date added: 02/04/06 | Total listens: 1,840
Nicked and Liqued (2:41) Date added: 02/04/06 | Total listens: 1,251
You Drink a Lot of Coffee for a Teenager (2:41) Date added: 02/04/06 | Total listens: 1,654
Room Temperature Lounge (5:06) Date added: 05/25/05 | Total listens: 2,309
June Is Finally Here (4:56) Date added: 05/25/05 | Total listens: 2,025
The Peter Criss Jazz (10:35) Date added: 05/25/05 | Total listens: 2,654

User reviews for Don Caballero

Average rating3h starsOut of 17 votes

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Editor's review

The lyrics seem perpetually about to appear, but they never do, which must classify Don Cabellero as avant-something. Taking murderous glee in the rough hues of Sonic Youth-style indie noise rock, the Pittsburgh trio builds no-vocals-allowed collages that, despite thoughtful math-y tangents, never sacrifice driving percussion and riffage.

Biography

Don Caballero hail from a hell of a place to father a child; Pittsburgh, Pennsylvania. Affectionately known as "the Don", Don Caballero make their musical bid without the din of vocals. The Don spawned in the summer of 1991 as drummer Damon, bassist Patrick, and guitarist Mike met and got the petri dish experiment started.

The first record For Respect, was all dense and menacing bricks of sound that built sever structures as cheerful as the Berlin Wall. That gave way to a second record, that was just as solid, yet show it girder melodies skyscraperly, de-emphasizing denseness in exchange for taking up a large area. As "math rock", a definition for which there is no agreement, became an easily recognizable concept and word, the band sought to avoid those markers and released it's third record What Burns Never Returns, where time signatures were harder and harder to follow and form was more confusing. After redefining it's sound in these more protean terms, a hard rock thread still remained that bound all of the band's efforts up to that point. American Don marred it's relationship to "heavy" as much as What Burns troubled the band's relationship to "math rock".

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