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Ezekiel Honig

Ezekiel Honig

  • Avg user rating: 3 stars Out of 11 votes
  • Your rating:  Write your review
  • Similar Artists: Nyles Lannon, Plaid, John Tejada, Mouse on Mars, LFO

Playlist

Books On Tape (5:00) Date added: 12/01/06 | Total listens: 267
Concrete And Plastic (3:34) Date added: 12/01/06 | Total listens: 1,101
Interlude (6:46) Date added: 08/12/04 | Total listens: 7,724
More Human Than Human (4:23) Date added: 08/12/04 | Total listens: 11,712

User reviews for Ezekiel Honig

Average rating3 starsOut of 11 votes

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Editor's review

Ezekiel Honig is an experimental producer who actually is memorable, something that's turned out to be quite a feat in the crowded field of electronic dance music. Honig is great at crafting soundtracks to accompany a peaceful night alone in your own environment; there's no vocals to distract you, just the meticulously arranged sounds that can only be harnessed via machines and daily life.

Biography

A New York City native and founder of the Microcosm and Anticipate labels, Ezekiel Honig concentrates on emotively warm and minimal music. He strives to incorporate the ethos of the past with something new, striding that blurry line between occasional dance floor sensibilities and intriguing, yet heart warming home listening. Ambience, soft, colorful tones, found sounds, a techno background, 4/4 microsound, and an affinity for off kilter rhythm edits are all involved in this process, while paying constant attention to deceptively simple melodic structures, along with seemingly random percussive elements and textures, pairing the pure and beautiful with more clunky and dirty "mishaps."

With the release of his People Places & Things album and subsequent material, Honig has earned international critical acclaim and a growing fan base, and has cemented a position in the crossing paths of techno, ambient, and minimal music, consistently refining, redefining and developing his lush, idiosyncratic sound. Always striving to make them something different from studio work, his improvisational approach to live sets, combining loops and bits from various material with on the fly arrangements, editing, and effects yields new songs from shards of the old. This aids the compositional process both in terms of sketching ideas, and in developing nuggets of sound into fuller pieces, sometimes splitting into separate compositions, using tangential moments from the original source. Continuing his exploration of less loop-based material, Honig retains his signature, shifting further towards warm, expansive, minimal songs.

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