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Fat Ray & Black Milk

Fat Ray & Black Milk

  • Avg user rating: 3 stars Out of 3 votes
  • Your rating:  Write your review
  • Similar Artists: J Dilla, Slum Village, BR Gunna, Black Milk, Guilty Simpson

Playlist

Get Focus Featuring Phat Kat And Elzhi (3:32)
explicit Date added: 03/28/08 | Total listens: 2,197
Take Control Featuring AB (3:21)
explicit Date added: 03/28/08 | Total listens: 1,369

User reviews for Fat Ray & Black Milk

Average rating3 starsOut of 3 votes

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Editor's review

What does Detroit have to do to get us paying attention? For the millionth time, serious Motor City output has flown under the radar relative to the coasts and Dirty South, but a prodigious 2008 could change that. Music House's first release is organically made, and somehow both dreamy and urgent.

Biography

Detroit's artist of the year, Black Milk, follows up his recent Caltroit and Popular Demand releases with an all new collaborative LP with dirty district emcee, Fat Ray. The Set Up includes 11 tracks, each produced by Black Milk, including guest shots from Guilty Simpson, Elzhi of Slum Village, Nametag, and Scorpion and Phat Kat.

The Set Up is the inaugural release for Black Milk's own label, Music House. Also due this year are a new Black Milk solo album and a collaborative project with Sean Price and Guilty Simpson. Fat Ray and Black Milk are two-thirds of the Detroit trio BR Gunna, whose album Dirty District, Vol. 2 (2004 Barak Records) was critically acclaimed and sold over 20,000 units.

Though still in his early twenties, Black Milk has been a rising talent both as a producer and as an emcee within the Detroit hip-hop scene for several years. Following the untimely deaths of J Dilla and Proof (D-12) in 2006, hip-hop fans all over the world are anxious for a new generation of hip-hop artists from the Motor City to carry the torch for its fallen heroes. Black Milk isn't asking to carry the torch; he's already running with it.

Born Curtis Cross in 1983, Black first fell in love with hip-hop in the mid-nineties when he discovered the music of groups like A Tribe Called Quest and De La Soul. He took a particular interest to making beats and after purchasing the cheapest drum machine he could find, began crafting his first beat tapes by recording on cassettes through a home karaoke machine. Like many of his peers in the production game, he obsessively worked in his basement to develop his sound and master his sampling equipment. After one of his early tapes ended up in the hands of Slum Village, he was invited to the studio and sold his first tracks. Black's production work first appeared on Slum's mixtape Dirty District (on which he also debuted as an emcee) in the summer of 2002, and he produced the standout track "What Is This" on their Capitol Records LP Trinity (Past, Present & Future), which was released a few months later.

It was around this time that Black Milk developed a chemistry with another young producer from Detroit named Young RJ. They teamed up with Fat Ray to form the trio BR Gunna, and went on to release the hit CD Dirty District, Vol. 2 on Barak Records in June 2004, which featured vocals from Black Milk, J Dilla, Elzhi, MC Breed, and others. The record sold over 20,000 units according to Nielsen Soundscan. Also in June 2002, the critically-lauded third Slum Village album Detroit Deli hit stores with 11 of its 13 tracks produced by BR Gunna (the other two were produced by Kanye West and J Dilla), which further established Black Milk as a rising star.

Despite achieving success as part of a production team, Black worked hard to build his skills as an emcee and was determined to validate himself as a solo artist. While maintaining his working relationship with Young RJ, he recorded his first full-length solo project entitled Sound of the City, releasing it through his own Music House label in 2005. With still-improving production and guest appearances from the finest emcees in Detroit, Black surprised many by holding his own on the mic with his sharp lyricism, catchy hooks, finessed flows, and unmistakable swagger.

As word spread of Black's talent, the demand for his beats began to reach artists outside of the Detroit scene. In 2006, Black Milk extended his sphere of influence by producing tracks for Pharoahe Monch, Lloyd Banks, and Canibus. As a charismatic emcee and already-accomplished producer, Black Milk is poised to be the next young artist from Detroit to excel on the national stage. The future of Detroit hip-hop starts now.

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