Back before smooth jazz gave itself a bad name, these '70s stars were earning it a good one. On their new collaboration, the guitarist and the singer dress each other's tunes in shimmery satin. And we'll bet a snifter of cognac there's never been a better pair for the uber-chill "Summer Breeze."
This much-anticipated 13-track recording features each of the stars on a new arrangement of one of the other's biggest hits – Jarreau adding lyrics to and singing Benson's signature instrumental smash "Breezin'," while the legendary jazz guitarist delivers a lovely instrumental version of the singer’s eternally charming hit "Mornin'." Givin' It Up also includes delicious covers of Seals & Crofts' "Summer Breeze" and Hall & Oates' (and Paul Young smash) "Every Time You Go Away," as well as stunning new jazz vocal versions of the Miles Davis classics "Four" and "Long Come Tutu."
Givin' It Up was recorded between April and June, 2006. Serendipitously, pop legend, Paul McCartney, happened to be in the studio next door during one session and dropped in to join Benson and Jarreau on an impromptu romp through Sam Cooke's "Bring it on Home to Me." Neo soul diva, Jill Scott, performs Billie Holiday’s timeless "God Bless the Child." Rounding out the album is a instrumental take on John Legend’s GRAMMY award-winning soul smash, "Ordinary People" and four new compositions, including a new Jarreau and Barry Eastmond composition, "Let it Rain," which features Patti Austin and Chris Botti.
Benson and Jarreau first met in the mid-1970s at the Coconut Grove Ballroom in the landmark Ambassador Hotel in Los Angeles. Benson recalls, "Al sang lyrics to 'Take Five' which I'd never heard before. I'd recorded an instrumental version of the track on my album Bad Benson, so I was really checking this cat out. His style of improvising was quite interesting." Of Benson, Jarreau adds, "George and I share something of the same age, but George can describe things he was doing as a professional at the age of 8! He was an idol within the jazz community, one that I aspired to, but I didn’t arrive on the scene with my first record until seventeen years later in 1975. George was a hero to me." "He's a prolific cat," finishes the guitarist. "I've always loved Al, but I have a different respect for him now."