Cajual Records techno beat-slug, Green Velvet, makes old-school acid, disco-house, and EBM sound collages as influenced by Derrick May and Kraftwerk. While the sounds of Detroit Techno and Chicago House were blowing up warehouse rooftops in the mid '90s, Curtis Jones (a.k.a. Green Velvet) fortified the hull of his solo endeavors with groundbreaking dance tracks like "La La Land" and "Preacher Man." Crisply produced, Green Velvet is a flashback to '80s industrial with a smattering pinch of techno freakiness.
Green Velvet, initially created by house don Cajmere (aka Curtis Jones) as an outlet for his non-vocal productions and frequent DJing gigs, grew to become even more popular than the man himself, thanks to club singles like "La La Land", "Preacher Man," "Answering Machine" and "The Stalker." Each were infectious, undeniably fun records with simple vocal taglines and a wonderful sense of humor. Jones, who had nurtured the Chicago house renaissance of the 1990s with his Cajual Records, gained immense success in 1993 with the Cajmere singles "Percolator" and "Brighter Days" (vocals by Dajae). Later that year, he formed the sub-label Relief mostly for instrumental tracks by himself and others.
Besides releases from DJ Sneak, Gemini and Paul Johnson, Green Velvet figured on many of the early Relief singles, including its first, "Preacher Man" as well as "Flash" (also released on the British Open label), "The Stalker" and 1997's hilarious "Answering Machine." Jones began to supplement his Green Velvet DJing schedule with quasi-live gigs as well, and released his first LP entitled Constant Chaos in 1999 on Belgium?s Music Man label. His self-titled release on F-111 one year later compiled a dozen of his earlier club hits, and the proper sophomore production album (Whatever) appeared in 2001 on his own Relief label. In 2005 Green Velvet released his fourth full length album entitled "Walk In Love," which, like previous albums, traverses between light hearted humor and deeper contemplation, and is always supplemented by his trademark style of electrifying electronic music production.