Somehow Houston McCoy pulls off the whole instrumental-rock thing without an ounce of pretension. It's the combination of ballsy super-sized riffing, intricate meanderings, and giddy melodies that keeps the group centered and still musically viable.
It’s not just in your head anymore. Someone has finally tapped into the often-silent wail that fills the hearts of wistful rockers shredding on air guitars and pounding out the syncopations of their daydreams in messy bedrooms around the globe.
Skidding along the jagged ledge between King Crimson, Trans Am and AC/DC, Houston McCoy navigates through a world where guitar solos are sanctified and the future of music is loud and combative. This instrumental quartet shirks the stigma attached to music without vocals. They balance heavy grooves with technical dissonance. They communicate the untellable with rock and roll that’s both pure and complex.
And they do it with a smile.
HM came together in the summer of 2001, with members hailing from NY, NJ, and PA. They’ve shared the stage with Rye Coalition, Against Me!, Singapore Sling and Instant Death, while cultivating the songs that would make up their debut full-length. In 2003, they retreated to Chumbuckets Recording Studio to lay down nine tracks of instrumental madness with engineer Brian Buccellato (Risk Relay). The result is their self-titled 2004 release, a record marked by hyperactive changes, anthemic guitar solos and the pretension-free rock you used to dream about before you got so jaded.
Now is the time for Houston McCoy to blindside the masses with their upbeat brand of instrumental noise pop. Feel free to let it be the soundtrack to all your latest triumphs.