Fans of the rockier jam acts (Blues Traveler, Widespread Panic), as well as truer blues acts (Kenny Wayne Shepherd), will sink their teeth into Ricci's work. Groaning guitar licks meet seriously pained singing, and we get a more real and swampy form of "Southern rock."
Eclecto Groove recording artists: Jason Ricci and New Blood mix blues, rock,
funk, eastern, and jazz into a seamless cohesion both eclectic and idiosyncratic
while always avoiding cliches and histrionics. Television, radio, and literary
critics compare them to acts as diverse as The Rolling Stones, John Coltrane,
and Lou Reed. Modern day parallels also include acts ranging from Government
Mule to Prince and the Revolution. New Blood always delivers a level of musical
virtuosity, while effortlessly keeping the fun, angst and energy of a Punk Rock
band, with the skill, refinement and reflection typical of a Jazz ensemble.
As a Blues band JR&NB have individually and collectively won various accolades
and distinguished awards from blues societies all over the world. Ricci and the
boys play many notable blues venues, festivals and events while continuing
expansion in this genre.
As a Jam Band, tapers have archived shows from the shores of France and
Belgium to San Francisco and weekly Internet downloads, often in the
thousands, have surpassed heavily bootlegged acts such as The Grateful Dead
and Phish. Jason Ricci's new CD Blood On The Road sold over 12,000 copies
in under a year from stage, by word of mouth and through the Internet and
without the help of record labels, national distributors, or publicists.
As a mainstream rock and roll band they were listed in the Mercury News "Top
Ten shows of 2005" along side Prince, Rush, and Green Day. Jason Ricci and
New Blood are a group of young, seasoned rockers who balance soul and
virtuosity, defy category, amaze critics while securing bigger festivals and
venues over 300 days per year.
"As a lover of live music, a JRNB show is absolutely exhilarating. Imagine the
best virtuoso-filled "jam band" you've ever seen (think early '90s Phish, old
Fleck tones, Allmans, Robert Randolph, Derek Trucks, etc.) and then double the
energy and stage presence." -Blake Taylor (Writer for Cincinnati City Beat in
response to Brad Kava's story for the Mercury News San Francisco/L.A./San Jose
see full story at
http://www.mercurynews.com/aei/2006/02/review_jason_ri.html.
"Ricci links the jazz mastery of Howard Levy, with the blues precision of Jerry
Portnoy and hits speeds that make John Popper look like he's standing still." -
Brad Kava (Mercury News)
"Instead of trying to be the next Little Walter via Estrin/Piazza/Wilson or
blowing high-end speed harp like John Popper or Sugar Blue, Ricci relies on an
individualistic style that has touches of his heroes, but more often is all Ricci." -
Art Tipaldi (writer for Blues Revue Magazine and author of Sons of the Blues)