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Julie Ocean: ''Long Gone And Nearly There''

Julie Ocean: ''Long Gone And Nearly There''

  • Avg user rating: 3 stars Out of 3 votes
  • Your rating:  Write your review
  • Similar Artists: Guided By Voices, Pavement

Playlist

Ten Lonely Words (1:54) Date added: 06/08/08 | Total listens: 128
#1 Song (3:35) Date added: 06/08/08 | Total listens: 834
My Revenge (2:07) Date added: 06/08/08 | Total listens: 146
Here Comes Danny (5:05) Date added: 06/08/08 | Total listens: 183
Bright Idea (1:38) Date added: 06/08/08 | Total listens: 296
Ebb & Flow (2:22) Date added: 06/08/08 | Total listens: 54
There's a Place (In the Back of My Mind) (1:52) Date added: 06/08/08 | Total listens: 63
At the Appointed Hour (2:12) Date added: 06/08/08 | Total listens: 46
Complications (2:45) Date added: 06/08/08 | Total listens: 47
Looking at Me/Looking at You (1:41) Date added: 06/08/08 | Total listens: 47

User reviews for Julie Ocean: ''Long Gone And Nearly There''

Average rating3 starsOut of 3 votes

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Editor's review

When Belle & Sebastian announced, sometime around 2003, that it was all right to draw strongly on boppy '60s pop, indie bands felt liberated. This D.C. band bears the fruits of the new freedom, mashed with the older indie rock way: It's scruffy, post-collegiate stuff with dashing melodies.

Biography

Just because a CD will hold 80 minutes of music doesn’t mean it should.

Ten songs totaling just over 25 minutes in length, Long Gone and Nearly There, the debut album from Washington D.C.-based quartet Julie Ocean makes a case for fast over fatuous, poppy over prog, and concise over complicated. The album is being released by Transit of Venus, distributed in the U.S. by RedEye.

Julie Ocean songs generally follow three simple steps: they start, they make their point, and they stop – but, somewhere along the way, they charm, too. Long Gone and Nearly There is underpinned by a taut, frenetic energy reminiscent of Dag Nasty and the Descendents, is infused with the casual chaos of primetime Guided By Voices and Pavement, and contains undeniable elements of sweet 60s pop of an early Beatles stripe, coupled with the searing melodicism of late 70s heroes The Jam and The Undertones (from whom the band takes its name).

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