Getting the brothers Gallagher to last a studio session without coming to blows? Never easy. But when they drop the fisticuffs and pick up the mics we remember why we suffer their antics. Oasis' classic cuts brilliantly retool Beatles-esque psych-pop for an era of legalized distortion.
The very first time Oasis played together they promised they were going to be the best, that they'd never settle for the dull thud of mediocrity. And then they set about proving it. Right from the off, they resisted the security of the obvious, of doing things the way they were supposed to. They never sent a demo to a record company, knew that supreme self-confidence and a host of classic songs would be enough to curve destiny their way. When Creation Records supremo Alan McGee saw them at a club gig in Glasgow they had no manager, no agent, and no money. Just greatness. He signed them on the spot. An unsuspecting world was about to be blown away. On April 11th 1994, Oasis released their debut single, 'Supersonic', an elegantly noisy pop celebration. By now their live shows were being talked of as something very special and they'd built an extensive, committed fan base. A trio of classic singles, 'Shakermaker', 'Live Forever' and 'Cigarettes and Alcohol' further emphasised Oasis' soaringly assured power. Their increasingly growing audience began to wonder what they ever did without them. (more on oasisinet.com)