If someone shot Beck in the arm with some lithium, he might sound like Panurge--a foursome that makes songs that sound a lot like early Semisonic. They mischievously approach the cutesy ballad boundary, but then run from it like laughing schoolboys as they change up the pop-perfect pace with extra guitar riffs at the bridge.
Experimental explorers Panurge have embarked on an unrelenting quest for sonic perfection. Walking in the Fog – the band’s third album – charts their invigorating pursuit of such elusive quarry.
Released August 10, 2006 on Last Gang Records, Walking in the Fog is the product of a band that’s eschewed influence’s sway in order to forge a distinct identity of their own. While Panurge was originally a creative collision of individuals, the band now employs a hive mind with their craft. It has become nearly impossible to discern where one member’s contribution concludes and another’s commences.
Walking in the Fog’s twelve songs capably emulate their creators’ symbiotic relationship. Culling the tracklist from over two dozen candidates, Panurge chose complementary compositions that embodied overarching themes and milieus. As has always been the band’s penchant, the songs prescribe to the “sugar the pill” philosophy. Summery melodies temper dark lyrics and sinister undercurrents suffuse the seemingly innocuous. As such, a pop fable such as “Monkey Town” is far more indebted to Jonathan Swift than Dr. Seuss.
All told, it could be argued that Walking in the Fog is a misnomer for the band’s latest album. A literal interpretation of the title evokes directionless wandering through indistinguishable surroundings. Conversely, Panurge are carrying out their musical vision with greater focus and clarity than ever before.