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Sleater-Kinney

Sleater-Kinney

  • Avg user rating: 4h stars Out of 42 votes
  • Your rating:  Write your review
  • Similar Artists: Bratmobile, Mary Timony, the Donnas, the Gossip, Bikini Kill

Playlist

Jumpers (4:25) Date added: 01/23/06 | Total listens: 6,043
Entertain (4:56) Date added: 05/28/05 | Total listens: 13,538

Videos

Sleater-Kinney music videos

Sleater-Kinney: "Entertain" Sub Pop femme punk trio challenge notions of glamour and beauty again with their snarling tune 'Entertain'. Watch in WMV
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User reviews for Sleater-Kinney

Average rating4h starsOut of 42 votes

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Editor's review

Into the woods Sleater-Kinney went, seeking the wisdom of the mystical wizard of '70s acid rock. Now the band has returned with its baddest, heaviest, and most kick-ass record so far. "The Woods" is a fierce rock 'n' roll statement containing bombastic, John Bonham-style drumming and actual guitar solos, yet it keeps the band's signature punk sound intact.

Biography

Sleater-Kinney is a three-piece rock and roll combo from the wilds of Portland, Oregon. They have paid their dues and left their mark, not only in their native Pacific Northwest, but the world over. The dual and dueling guitars and voices of Corin Tucker and Carrie Brownstein have produced 6 albums in the last 10 years. 4 albums and 7 years ago they were joined by the fantastically insistent and inventive drumming of Janet Weiss and Sleater-Kinney as we know it today was complete. But, enough with the background already...

The Woods is the title of the new Sleater-Kinney album and it's their seventh full-length release. It was produced by Dave Fridmann (Flaming Lips, Mercury Rev, Low) and reveals a very different side to the band. Like many things with sevens on it, it features an itch, a need to try new things. Sometimes people get scared by new things, which is one of the reasons people are disappointing. This is to say that, like Sleater-Kinney, you should not be afraid of new things: honest-to-god guitar heroics/solos; new depth and heaviness to the songs; fuzzed out lows cropping up in places formerly reserved for staccato highs. All of this surrounding and infiltrating the constant in the Sleater-Kinney program: three, breathing, playing as one with unfettered passion and emotion. They want history, they want time, they want art, they want to deal with culture, they have demands, they have needs, they have vision, they have aspirations. And now they have The Woods. Luckily, so do we.

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