With all those lazy weekdays of skipping class and the misspent student loan checks, before you know it, a band is born. The Cave-ins play the kind of morning-after slacker country-rock that would also befit the day before's sun-soaked, beer-drenched afternoon.
Born from a womb of college stairwell reverb, unlikely circumstances and the relative ease of a California State university education, The Cave-Ins began their transformation into what we now know as a demonstration of rock purity. Matt and Luke started the band to kill fog developing in their brains, a result of residing on the outskirts of any city and to meet god on a daily basis. But alas, all that came out of it was fraud in illegal roundabouts, broken strings during guitar fires and a series of uncomplicated disasters that left The Cave-Ins at somewhat of a loss. In the meantime they have amassed a vast catalogue of unreleased material by way of 4 and 8 tracks and have abandoned traditional mediocrity. Joining Matt and Luke are Jason Quever from the Papercuts on drums and back up vocals, and Rob Williams on bass. In the summer of 2000 they banded together to embark on a world tour for their 7" getting as far as Colorado and a skateboarding accident, but soon hit the road again in the summer of 2001 for a short display in the Northwest. Their first full length, "Gridfarce by Lamplight", will be out in January on Omnibus Records with "Subsequent afformentioned dialects/Vietnam" the next single, hot on its trail. As far as their sound goes, let us quote an unknown world-beat critic: "The Cave-Ins are nonchalant as a buffer zone between arctic fields, like motion detectors and the sensitivity of orphans. Their use of rudimentary jazz chords and vocal harmony fills a void in one's spirit like an outlaw eating breakfast in secrecy." Influences: Johnny Smith, the Kinks, Television, Neil Young, and New Zealand Horror.